4K Output
Next-generation performance, present-generation compatibility
The 4K cameras offer powerful control of resolution, color, bit depth, and file format. For connectors, see the interface page.
Output Format
| Camera Output Formats | Color Encoding | Color Space | Mbytes/s1 |
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4K Output (4096 x 2048) Protocol: 4xInfiniband over fiber optic |
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| Raw Native, 16 bits per pixel (16 total), linear | Bayer pattern2 | - | 402 |
Notes:
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Resolutions
4K. The cameras' main output is 4096 x 2048 pixels (2:1 aspect ratio), of which 4000 x 2048 are optically active (1.96:1). The sensor has optically dark columns to provide dark references for signal processing. This data is delivered across four fiber optic strands (inside one 1/4" cable) using the Infiniband protocol.
Reconstruction
The 4K sensor has a Bayer mosaic color filter (GRGB). This single chip
approach, standard in the best professional digital still cameras,
allows the use of standard cinema lenses because it does not introduce a
complicated beamsplitter prism. The camera outputs raw data (16 linear
bits per pixel) which is reconstructed externally. Note that until it is
reconstructed, the data does not have a color space. The Bayer-pattern
data is in effect a "digital negative" of the original material. It is
an ideal original archive format, preserving exactly what the camera
recorded, with no alterations or conversions. It is also a form of
lossless data compaction, requiring only one third the storage or
bandwidth of RGB, with no loss of image data.
Bit Depth and Architecture
16-bit linear. The cameras' native data mode is Bayer-pattern (raw) 16-bit linear output. 16-bit linear data preserves the highest image quality with the finest nuances in detail and contrast. It is worth noting that while many digital intermediate tools accept and output 10-bit log data, they manipulate it internally using 16-bit linear representations.
File Formats
Our 4K cameras output each frame as a DPX file with 16-bit linear data.
Bandwidth
The output table above lists the bandwidth requirements of the cameras' various output modes.